Petit manuel d'histoire de France

Fiche technique
Petit manuel d'histoire de France de Raoul Ruiz
long métrage fiction vidéo France (1979) 2x50min.
Autre titre :
1. "Des ancêtres les Gaulois à la prise du pouvoir par Louis XIV" 2. "De la révocation de l'Édit de Nantes à l'invention du cinéma"
Réalisé par :
Raoul Ruiz
Synopsis :
«Rue des Archives» illustre un type de recherches sur l'utilisation des archives télévisuelles conservées par l'Ina. Images vivantes contenant leur propre sens et livrées à la libre lecture d'auteurs-réalisateurs qui ont pu y investir leur sensibilité sans le moindre tournage ni moindre commentaire.
Scénario :
Raoul Ruiz
Montage :
Valeria Sarmiento
D'après :
des livres de classe (1903, 1929, 1958, 1968) et des archives de télévision
Production :
INA, collection Rue des archives, FR3

Un film de Raoul Ruiz


Document(s)

Petit manuel d'histoire de France

Source : The University of California, Berkeley Art Museum and Pacific Film Archive 17 février 1986

Raúl Ruíz, a Chilean working in France, was the subject of an April 1984 PFA retrospective. He has produced feature length films under the auspices of French and Italian television (including Three Crowns of a Sailor, The Territory, etc.) in addition to a number of works for television. Ian Christie writes in Afterimage (#10): "If Ruíz became a 'television filmmaker' almost inadvertently...he has found that the strictures of television, like those of exile, can be put to good use.... Two main strategies inform Ruíz's approach to television: they are parody and literalism...both calculated to subvert the normal discourse of television.... Petit manuel d'histoire de France...commissioned by INA as part of a series of programs using archive material...proposes nothing less than a complete history of France, taking the numerous plays and dramatic series...as its raw material and faithfully following a consensus of school history primers. It is a work of pure collage, or photo-montage...both hilarious and instructive, less about French history...than about the conventions of that latter-day equivalent of the medieval chronicle, the historical drama. Rather than draw attention to the absences in French tele-history, to its (doubtless) evasions and distortions...Ruíz massively reinforces its repetitions and stereotypes to the point of narrative excess and absurdity--as when he intercuts no less than four Jeanne d'Arcs, and when the same actors recur in characteristic roles throughout 'history', thus reducing...the idea of 'great men' to a series of starring parts...."